by Jennifer Chiaverini
When Sarah McClure and her husband, Matt, move to the small town of Waterford, Pennsylvania, to get a fresh start, Sarah struggles to find a fulfilling job. Disheartened by failed interviews, she reluctantly accepts a temporary position at Elm Creek Manor helping seventy-five-year-old Sylvia Compson prepare her family estate for sale after the recent death of Sylvia’s estranged sister. As part of her compensation, Sarah is taught how to quilt by this reclusive, cantankerous master quilter.
During their lessons, Mrs. Compson slowly opens up to Sarah, sharing powerful, devastating stories of her life as a young woman on the World War II home front. Hearing tales of how Mrs. Compson’s family was torn apart by tragedy, jealousy, and betrayal, Sarah is forced to confront uncomfortable truths about her own family — truths that she has denied for far too long. As the friendship between the two women deepens, Mrs. Compson confides that although she would love to remain at her beloved family estate, Elm Creek Manor exists as a constant, unbearable reminder of her role in her family’s misfortune. For Sarah, there can be no greater reward than teaching Mrs. Compson to forgive herself for her past mistakes, restoring life and joy to her cherished home.
Jennifer Chiaverini is the New York Times bestselling author of MRS. LINCOLN’S DRESSMAKER, MRS. LINCOLN’S RIVAL, THE SPYMISTRESS, MRS. GRANT AND MADAME JULE, and other acclaimed historical novels. She also wrote the beloved Elm Creek Quilts series, as well as six collections of quilt patterns inspired by her books. A graduate of the University of Notre Dame and the University of Chicago, she lives with her husband and two sons in Madison, Wisconsin. About her historical fiction, the Milwaukee Journal Sentinel writes, “In addition to simply being fascinating stories, these novels go a long way in capturing the texture of life for women, rich and poor, black and white, in those perilous years.”
by Jennifer Chiaverini
A round robin quilt is created by sewing concentric patchwork or appliqué borders to a central block as it is passed around a circle of friends. We rejoin the Elm Creek Quilters as they embark on just such a project, intended as a gift to their beloved Sylvia. But for each member of the circle, the threads of happiness begin to unravel.
As each woman adds a border to the central block, she contributes her story to the ongoing history of Elm Creek Manor. Resplendent in green, blue, and gold, the quilt serves as a symbol of the complex, lasting ties that unify mothers and daughters, sisters and friends. As they stitch together the sometimes harmonious, often discordant scraps of their crazy-quilt lives, the Elm Creek Quilters learn that friendship is a most precious gift, and that even in the darkest of times, love illuminates the way home.
The third in the Elm Creek Quilts series introduces the Cross-Country Quilters, a group of far-flung friends who pledge to complete a “challenge quilt” — symbolic of each woman’s personal goals — in one year’s time. These five women arrive at Elm Creek Manor hoping to find in their quilt lessons an escape from the problems they left at home. Julia, an aging starlet, has pinned her hopes to a plum role in a historical epic whose director is under the mistaken impression that Julia already knows how to quilt. Megan is a successful engineer who has won prizes for her miniature quilt designs. The one challenge she has yet to master is single motherhood. Donna, a mother of two, must hasten to teach her daughter independence and self-esteem — lessons she, too, must take to heart. Grace is a renowned curator of antique quilts, whose creative flair is waning for reasons she is unwilling to reveal — even to her closest friends. Vinnie, the senior member of the group, is a sunny soul with a tragic past. Her overwhelming desire is to bring happiness into the lives of those she loves.
Although the Cross-Country Quilters share a common creative goal, as the year goes by their bonds are tested by the demands of daily life. But despite differences in age, race, and background, the friends’ love for quilting and affection for one another unite them in a patchwork of caring and acceptance. The quilt they make reminds them of an everlasting truth — friends may be separated by great distance, yet the strength of their bond can transcend any obstacle.
The fourth book in the popular Elm Creek Quilts series explores a question that has long captured the imagination of quilters and historians alike: Did stationmasters of the Underground Railroad use quilts to signal to fugitive slaves? In her first novel, The Quilter’s Apprentice, Jennifer Chiaverini wove quilting lore with tales from the World War II home front. Now, following Round Robin and The Cross-Country Quilters, Chiaverini revisits the legends of Elm Creek Manor, as Sylvia Compson discovers evidence of her ancestors’ courageous involvement in the Underground Railroad.
Alerted to the possibility that her family had ties to the slaveholding South, Sylvia scours her attic and finds three quilts and a memoir written by Gerda, the spinster sister of clan patriarch Hans Bergstrom. The memoir describes the founding of Elm Creek Manor and how, using quilts as markers, Hans, his wife, Anneke, and Gerda came to beckon fugitive slaves to safety within its walls. When a runaway named Joanna arrives from a South Carolina plantation pregnant with her master’s child, the Bergstroms shelter her through a long, dangerous winter — imagining neither the impact of her presence nor the betrayal that awaits them.
The memoir raises new questions for every one it answers, leading Sylvia ever deeper into the tangle of the Bergstrom legacy. Aided by the Elm Creek Quilters, as well as by descendants of others named in Gerda’s tale, Sylvia dares to face the demons of her family’s past and at the same time reaffirm her own moral center. A spellbinding fugue on the mysteries of heritage, The Runaway Quilt unfolds with all the drama and suspense of a classic in the making.
In The Quilter’s Legacy, a daughter’s search for her mother’s treasured heirlooms illuminates life in Manhattan and rural Pennsylvania at the turn of the last century.
When precious heirloom quilts hand-stitched by her mother turn up missing from the attic of Elm Creek Manor, Sylvia Bergstrom Compson resolves to find them. From scant resources — journal entries, receipts, and her own fading memories — she pieces together clues, then queries quilting friends from around the world. When dozens of leads arrive via the Internet, Sylvia and her fiancé, Andrew, embark on a nationwide investigation of antiques shops and quilt museums.
Sylvia’s quest leads her to unexpected places, where offers of assistance are not always what they seem. As the search continues, revelations surface about her mother, Eleanor Lockwood, who died in 1930, when Sylvia was only a child. Burdened with poor health and distant parents, Eleanor Lockwood defied her family by marrying for love. Far from her Manhattan home, she embraced her new life among the Bergstroms — but although warmth and affection surrounded Eleanor at last, the Bergstroms could not escape the tragedies of their times.
As Sylvia recovers some of the missing quilts and accepts others as lost forever, she reflects on the woman her mother was and mourns the woman she never knew. For every daughter who has yearned to know the untold story of her mother’s life, and for every mother who has longed to be heard, The Quilter’s Legacy will resonate with heartfelt honesty as it reveals what tenuous connections bind the generations and celebrates the love that sustains them.
The Master Quilter opens with the sound of wedding bells ringing in the ears of the Elm Creek Quilters. The close-knit group can hardly believe that their own Sylvia Compson planned her holiday wedding to sweetheart Andrew in complete secrecy, without the help of even one of her friends. Eager to honor the newlyweds, the Elm Creek Quilters hasten to stitch a bridal quilt for their favorite Master Quilter. Until the time comes to unveil the surprise gift, they reason, Sylvia will be the one in the dark.
Such little white lies seem harmless enough, especially in the service of future happiness. Yet Elm Creek Manor, and the quilting retreat established there by the Elm Creek Quilters, thrives on the strength of women sharing their creativity, their challenges, and their dreams. Somehow, in the race to commemorate in Sylvia’s bridal quilt all that they hold dear about her wisdom, skill, and devotion, they forget to give honesty its pride of place.
As the quilt blocks accumulate, the Elm Creek Quilters celebrate the joy of new beginnings and the ongoing success of their business — until forces conspire to threaten their happiness and prosperity. Two among them falter in their personal relationships, yet they are too proud to share their pain. The financial problems of another leave the quilt project vulnerable to a malicious act that may prevent its completion. And as two others weigh the comfort of the present against dreams of a future far from Elm Creek Manor, closely guarded secrets strain the bonds of friendship with those who may be left behind.
A week after Uncle Jacob’s death, Abel Wright came to pay his respects. Dorothea Granger took him to the grave and stood some distance away while he bowed his head in silent prayer. Then he looked up and said, “I have something to tell you and your folks.”
History is thick with secrets in The Sugar Camp Quilt, seventh in the beloved Elm Creek Quilts series from bestselling author Jennifer Chiaverini. Set in Creek’s Crossing, Pennsylvania, in the years leading up to the Civil War, the story begins with friends and neighbors taking sides in the abolitionist debate, and as events unfold, an ex-traordinary young heroine passes from innocence to wisdom against the harrowing backdrop of the American struggle over slavery.
A dutiful daughter and niece, Dorothea Granger finds her dreams of furthering her education thwarted by the needs of home. A gifted quilter, she tragically loses her hope chest in a flood. A superior student, she is promoted from pupil to teacher — only to lose her position to the privileged son of a town benefactor. But the ultimate test of her courage and convictions comes with the death of her stern uncle Jacob, who inexplicably had asked Dorothea to stitch him a quilt with four unusual patterns of his own design. After he meets with a violent end, Dorothea discovers that the quilt contains hidden clues to guide runaway slaves along the Underground Railroad. Emboldened by the revelations about her uncle’s bravery, Dorothea resolves to continue his dangerous work. Armed with the Sugar Camp Quilt and its mysterious symbols, she must evade slavecatchers and outwit unscrupulous neighbors, embarking upon a heroic journey that allows her to discover her own courage and resourcefulness — unsuspected qualities that may win her the heart of the best man she has ever known.
When Christmas Eve comes to Elm Creek Manor, the tenor of the holiday is far from certain. Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven’t been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished.
Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters — her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge.
At Elm Creek Manor, Christmas began as a celebration of simple virtues — joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials — the antebellum era, the Great Depression, World War II — tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt.
Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia’s tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women’s art to its place in commemorating our shared experience, at Christmastime and in every season.
The ninth book in Jennifer Chiaverini’s bestselling series—when two of Elm Creek Quilts’ founding members decide to leave the fold, who can possibly take their place in the circle of quilters?
When Elm Creek Quilts announces openings for two new teachers, quilters everywhere are vying to land the prestigious post. The impending departure of two founding members means untold changes for the Elm Creek Quilters. As they begin the interview process, a single question emerges: Who can possibly take the place of beloved colleagues and friends?
“We must evaluate all of the applicants’ qualities,” advises Master Quilter Sylvia Compson. “Our choice will say as much about us as it says about who we decide to hire.” Who merits a place among the circle of quilters? Will it be Maggie, whose love of history shines through in all her projects; Anna, whose food-themed quilts are wonderfully innovative; Russ, the male quilter with a completely original style; Karen, a novice teacher whose gifts for language complement her deep understanding of the quilters’ mission; or Gretchen, the soulful veteran whose craft is inspired by quilting tradition?
A Roaring Twenties tale of boom and bust unfolds as young bride Elizabeth Bergstrom Nelson sets off with her husband, Henry, from her family home of Elm Creek Manor in Pennsylvania to start a new life in the unfamiliar terrain of southern California. Expecting to assume ownership of Triumph Ranch, the couple instead learns that their deed is a fake, and that they must work for the rightful proprietors to earn their keep. Resourceful Elizabeth trades her trousseau—including the fine quilts stitched by her Bergstrom relatives—for the practical goods the Nelsons need to survive, and finds friendship with California native Rosa Diaz Barclay. When Elizabeth discovers a mysterious cache of quilts made by a member of the Diaz family that reveals a misplaced legacy of love, land, and ancestral ties, it becomes clear that only by stitching the rift between the past and the future can the inhabitants of Triumph Ranch hope to live in peace alongside history.
As each holiday season approaches, some revel in welcoming the New Year ahead; others quietly mourn the passing of time gone by. “We can’t hold on to the past,” says Master Quilter Sylvia Compson, “but we can keep the best part of ‘Auld Lang Syne’ in our hearts and in our memories, and we can look forward to the future with hope and resolve.” As Sylvia, a late-in-life newlywed, has discovered, love can enter our lives at any age. Yet before she can truly delight in her present happiness, she must face the sorrow hidden in her past — her own role in the tragic circumstances that left her estranged from her sister, Claudia, until it was too late to make amends.
Vowing not to repeat the mistake with her new daughter-in-law, Amy, who opposed Sylvia’s marriage to her father, Andrew, Sylvia must convince Amy that family is more precious than pride. As Sylvia takes up a quilt for the season, begun and abandoned over six years, she recalls the New Year’s Eve festivities of her youth at Elm Creek Manor as a member of the Bergstrom family. She titles the quilt “New Year’s Reflections,” after her belief that year-end reflections precede resolutions. The quilt blocks she chooses commemorate the wisdom that no one can ever be truly alone if she keeps the memory of those she loved and those who loved her alive in her heart. The New Year’s Quilt is a novel to enjoy today and to treasure anew each holiday season.
Quilters have flocked to Elm Creek Manor to learn from Master Quilter Sylvia Compson and her expert colleagues. There’s Sarah, Sylvia’s onetime apprentice who’s paired her quilting accomplishments with a mind for running the business of Elm Creek Quilts; Agnes, who has a gift for appliqué; Gwen, who stitches innovative art quilts; Diane, a whiz at the technicalities of quick-piecing; and Bonnie, with her encyclopedic knowledge of folk art patterns. But with Judy and Summer, two other founding members of the Elm Creek Quilters, departing to pursue other opportunities, will the new teachers be able to fill in the gaps created by the loss of their expertise — and more important, their friendship?
“When I think of all the different paths I could have followed in my life, all the twists and turns that could have led me anywhere,” muses incoming teacher Gretchen, “it’s something of a miracle that I ended up here, surrounded by loving friends.”
But what of friends departed? As Sylvia contemplates a tribute to the partnership of the Elm Creek Quilters, she is reminded of a traditional quilt pattern whose curved pieces symbolize a journey. Winding Ways, a mosaic of overlapping circles and intertwining curves, would capture the spirit of their friendship at the moment of its transformation.
Will Sylvia’s choice inspire the founding members to remember that each is a unique part of a magnificent whole? Will the newcomers find ways to contribute, and to earn their place? The Winding Ways Quilt considers the complicated, often hidden meanings of presence and absence, and what change can mean for those who have come to rely upon one another.
Anna Del Maso had known that she wanted to be a chef since she was in the seventh grade. “Somehow everything in my life ends up being about food,” she realizes, as she begins the latest of her food-themed quilts. Her twin passions have converged in a brand-new position as head chef for Elm Creek Quilts, Waterford, Pennsylvania’s popular quilting retreat.
As she joins the circle of quilters at historic Elm Creek Manor, Anna is eager to preserve the manor’s culinary heritage, dating to 1858, while also celebrating the new favorites of their many guests. Yet as Master Quilter Sylvia Bergstrom Compson well knows, the manor’s kitchen, last updated in the 1940s, can’t create food that compares to the state-of-the-art quilting instruction for which Elm Creek Quilts is renowned.
A full renovation of the kitchen must be completed by the start of the new camp season. Though the task is daunting, Anna is assured in her belief that “A kitchen is the heart of a home.” As she and Sylvia begin to dismantle the old to make way for the new, Sylvia’s reminiscences remind them both of just how many of the manor’s traditions have involved food and celebrations. Whether the feast is one of the holiday menus prepared and enjoyed by generations of Bergstroms, or one of the Welcome Banquets and Farewell Breakfasts that have become hallmarks of Elm Creek Quilt Camp, there is a story for every recipe, and a recipe for every story.
The Quilter’s Kitchen follows Anna’s flavorful explorations of the kitchens of Elm Creek Manor, past and present. As she records beloved recipes and creates original dishes seasoned with love, she discovers anew how the gifts of the table gather friends and family ever closer.
Master Quilter Sylvia Bergstrom Compson treasures an antique quilt called by three names — Birds in the Air, after its pattern; the Runaway Quilt, after the woman who sewed it; and the Elm Creek Quilt, after the place to which its maker longed to return. That quilter was Joanna, a fugitive slave who traveled by the Underground Railroad to reach safe haven in 1859 at Elm Creek Farm.
Though Joanna’s freedom proved short-lived — she was forcibly returned by slave catchers to Josiah Chester’s plantation in Virginia — she left the Bergstrom family a most precious gift, her son. Hans and Anneke Bergstrom, along with maiden aunt Gerda, raised the boy as their own, and the secret of his identity died with their generation. Now it falls to Sylvia — drawing upon Gerda’s diary and Joanna’s quilt — to connect Joanna’s past to present-day Elm Creek Manor.
Just as Joanna could not have foreseen that, generations later, her quilt would become the subject of so much speculation and wonder, Sylvia and her friends never could have imagined the events Joanna witnessed in her lifetime. Punished for her escape by being sold off to her master’s brother in Edisto Island, South Carolina, Joanna grieves over the loss of her son and resolves to run again, to reunite with him someday in the free North. Farther south than she has ever been, she nevertheless finds allies, friends, and even love in the slave quarter of Oak Grove, a cotton plantation where her skill with needle and thread soon becomes highly prized.
Through hardship and deprivation, Joanna dreams of freedom and returning to Elm Creek Farm. Determined to remember each landmark on the route north, Joanna pieces a quilt of scraps left over from the household sewing, concealing clues within the meticulous stitches. Later, in service as a seamstress to the new bride of a Confederate officer, Joanna moves on to Charleston, where secrets she keeps will affect the fate of a nation, and her abilities and courage enable her to aid the country and the people she loves most.
The knowledge that scraps can be pieced and sewn into simple lines — beautiful both in and of themselves and also for what they represent and what they can accomplish — carries Joanna through dark days. Sustaining herself and her family through ingenuity and art during the Civil War and into Reconstruction, Joanna leaves behind a remarkable artistic legacy that, at last, allows Sylvia to discover the fate of the long-lost quilter.
For the Elm Creek Quilters, the day after Thanksgiving marks the start of the quilting season, a time to gather at Elm Creek Manor and spend the day stitching holiday gifts for loved ones. This year, in keeping with the season’s spirit of gratitude, Master Quilter Sylvia Bergstrom Compson Cooper is eager to revive a cherished family tradition. A recent remodeling of the manor’s kitchen unearthed a cornucopia that once served as the centerpiece of the Bergstrom family’s holiday table. Into it, each Bergstrom would place an object that symbolized something he or she was especially thankful for that year. On this quilter’s holiday, Sylvia has invited her friends to continue the tradition by sewing quilt blocks that represent their thankfulness and gratitude.
As each quilter explains the significance of her carefully chosen block, stories of love and longing for family and friends emerge—feelings that are also expressed in the gifts they work on throughout the day. An early winter storm blankets Elm Creek Manor in heavy snow as the quilters find new meanings in their best-loved traditions and new reasons to be thankful. A Quilter’s Holiday is a story of holiday spirit, in its truest, most generous sense.
Another season of Elm Creek Quilt Camp has come to a close, and Bonnie Markham faces a bleak and lonely winter ahead, with her quilt shop out of business and her divorce looming. A welcome escape comes when Claire, a beloved college friend, unexpectedly invites her to Maui to help launch an exciting new business: a quilter’s retreat set at a bed and breakfast amid the vibrant colors and balmy breezes of the Hawaiian Islands. Soon Bonnie finds herself looking out on sparkling waters and banyan trees, planning quilting courses, and learning the history and intricacies of Hawaiian quilting, all the while helping Claire run the inn.
As Bonnie’s adventure unfolds, it quickly becomes clear that Claire’s new business isn’t the only excitement in store for her. Her cheating, soon-to-be ex-husband decides he wants her stake in Elm Creek Quilts, which threatens not only her financial well-being but her dearest friendships as well. Luckily she has the artistic challenge of creating her own unique Hawaiian quilt pattern to distract her—and new friends like Hinano Paoa, owner of the Nä Mele Hawai‘i Music Shop, who introduces Bonnie to the fascinating traditions of Hawaiian culture and reminds her that love can be found when and where you least expect it.
In 1862 Water’s Ford, Pennsylvania, abolitionism is prevalent, even passionate, so the local men rally to answer Mr. Lincoln’s call to arms. Thus the women of Elm Creek Valley’s quilting bee are propelled into the unknown. Constance Wright, married to Abel, a skilled sharpshooter courageous enough to have ventured south to buy his wife’s freedom from a Virginia plantation, knows well her husband’s certainty that all people, enslaved and free, North and South, need colored men like him to fight for a greater purpose. Sisters-in-law Dorothea Nelson and Charlotte Granger wish safe passage for their learned husbands. Schoolmaster turned farmer Thomas carries Dorothea’s Dove in the Window quilt with him. Charlotte’s husband, Dr. Jonathan Granger, takes more than a doctor’s bag to his post at a field hospital. Alongside the devotion of his wife, pregnant with their second child, Jonathan brings the promise he made to his unrequited love, Gerda Bergstrom: “My first letter will be to you.”
Together with the other members of the circle, the women support one another through loneliness and fear, and devise an ingenious business plan to keep Water’s Ford functioning. That plan may forever alter the patchwork of town life in ways that transcend even the ultimate sacrifices of war.
Sarah McClure arrived at Elm Creek Manor as a newlywed, never suspecting that her quilting lessons with master quilter Sylvia Bergstrom Compson would inspire the successful and enduring business Elm Creek Quilts, whose members have nurtured a circle of friendship spanning generations.
The Wedding Quilt opens as the wedding day of Sarah’s daughter Caroline approaches. As Sarah has learned, a union celebrates not only the betrothed couple’s passage into wedlock, but also the contributions of those who have made the bride and groom the unique people they are. Thus Sarah’s thoughts are filled with brides of Elm Creek Manor past and present-the traditions they honored, the legacies they bequeathed, and the wedding quilts that contain their stories in every stitch.
A wedding quilt is a powerful metaphor: of sisterhood, of community, of hope for the future. The blocks in Caroline’s wedding quilt will display the signatures of beloved guests. As the Elm Creek Quilters circulate amid the festive preparations with pens and fabric in hand, memories of the Manor-and of the women who have lived there, in happiness and in sorrow-spill forth, rendering a vivid pastiche of family, friendship, and love in all its varieties.
As the nation grapples with the strictures of Prohibition, Rosa Barclay lives on a Southern California rye farm with her volatile husband, John, who has lately found another source of income far outside the federal purview.
Mother to eight children, Rosa mourns the loss of four who succumbed to the mysterious wasting disease that is now afflicting young Ana and Miguel. Two daughters born of another father are in perfect health. When an act of violence shatters Rosa’s resolve to maintain her increasingly dangerous existence, she flees with the children and her precious heirloom quilts to the mesa where she last saw her beloved mother alive.
As a flash flood traps them in a treacherous canyon, only one man is brave-or foolhardy-enough to come to their rescue: Lars Jorgenson, Rosa’s first love and the father of her healthy daughters. Together they escape to Berkeley, where a leading specialist offers their only hope of saving Ana and Miguel. Here in northern California, they create new identities to protect themselves from Rosa’s vengeful husband, the police who seek her for questioning, and the gangsters Lars reported to Prohibition agents-officers representing a department often as corrupt as the Mob itself. Ever mindful that his youthful alcoholism provoked Rosa to spurn him, Lars nevertheless supports Rosa’s daring plan to stake their futures on a struggling Sonoma Valley vineyard-despite the recent hardships of local winemakers whose honest labors at viticulture have, through no fault of their own, become illegal.
“Why do you give?” asks Master Quilter Sylvia Bergstrom Compson Cooper in The Giving Quilt, the New York Times bestselling author Jennifer Chiaverini’s artful, inspiring novel that imagines what good would come from practicing the holiday spirit each and every day of the year.
At Elm Creek Manor, the week after Thanksgiving is “Quiltsgiving,” a time to commence a season of generosity. From near and far, quilters and aspiring quilters—a librarian, a teacher, a college student, and a quilt-shop clerk among them—gather for a special winter session of quilt camp, to make quilts for Project Linus. (In real life, Chiaverini has long been active in this charitable organization, dedicated to providing handmade quilts and blankets to children in need.)
Each quilter, ever mindful that many of her neighbors, friends, and family members are struggling through difficult times, uses her creative gifts to alleviate their collective burden. As the week unfolds, the quilters respond to Sylvia’s provocative question in ways as varied as the life experiences that drew them to Elm Creek Manor. Love and comfort are sewn into the warm, bright, beautiful quilts they stitch, and their stories collectively consider the strength of human connection and its rich rewards.
Featuring not only well-loved characters but also intriguing newcomers, The Giving Quilt will remind us all: Giving from the heart blesses the giver as much as the recipient, and while giving may not always be easy, it is always worthwhile.